11th 35AWARDS Results: Fashion & Glamour Nomination

[TOP100]

Pablo Moreira Escalona,   Cuba, La Habana

[TOP100]

Malika Bulanova,   Kazakhstan, almaty

[TOP100]

Anton Plotnikov,   Russian Federation, Оренбург

ALIEN [TOP100]

Я проснулась в темноте. Холодный воздух обжигал кожу, но я не чувствовала страха — только странное спокойствие. Мир, каким я его знала, закончился. Или, может быть, начался заново? Я помню, как была обычным человеком. Слабым. Уязвимым. Прозрачным. Но внутри — всегда был голос. Он звал меня сквозь сны, сквозь боль, сквозь одиночество. Я думала, это я схожу с ума. А оказалось — это он. Он пришёл ко мне не как враг. Он не разрушал — он перестраивал. Его присутствие не было насилием, а трансформацией. Я чувствовала, как меняется моё тело, как мои глаза начинают видеть больше, чем цвет и форму. Я различаю структуру, пульс, энергию. Я слышу мир — как живую ткань. Мы слились. Он — не чудовище. Он — отражение. Всего дикого, сильного, неукрощённого во мне. Чужой — да, но не враг. Он — я, без оболочки, без страха, без маски. Я больше не человек. Я — существо нового порядка. Не добро. Не зло. Чистая форма выживания, красоты, симметрии и силы. Всё, что было во мне подавлено — теперь раскрылось. Я чувствую силу в каждой клетке. И больше не скрываюсь. Мир не готов. Но я — уже здесь.

Aleksandr Kazharski,   Belarus, Минск

In Stark Contrast [TOP100]

Iconic high fashion glamour offset by bold gold and clean lines. Photographer: Stas Efimov @efimov_photography Stylist: Lori Myburgh @stylist_lori.myburgh MUA: Trish Thomas-Meyer @makeuphair_trishtm Model: Shante @shante_gainsford from Ice Models @icemodelscpt Designer: Kat Van Duinen @katvanduinen.official Location: Inyoni Location Farm @inyonilocation Cape Town

Stanislav Efimov,   Russian Federation, Владивосток

Золотые краски Осени [TOP100]

Angelina Egorova,   Russian Federation, Владивосток

[TOP100]

Irina Ishkulova,   Russian Federation, Саратов

BW Fashion [TOP100]

BW Fashion

Michal Nega,   Czech Republic, Prague

Porcelain Identity IV [TOP100]

This portrait explores the intersection between human skin and ornamental surface. The concept was built around the visual language of blue-and-white porcelain patterns, reinterpreted through body art instead of costume or digital overlay. A controlled, high-key lighting setup was used to preserve skin tonality while allowing the cobalt details to remain crisp and dominant within a minimal white environment. The directional light defines facial structure without creating harsh shadows, maintaining clarity and texture consistency across the frame. The composition is intentionally restrained: neutral background, limited color palette (white and deep cobalt blue), and a clean silhouette to emphasize graphic impact. The visual tension comes from the contrast between organic human form and decorative pattern repetition. No excessive post-production manipulation was used; the visual strength relies on styling, body painting precision, and controlled lighting rather than digital effects. The three-quarter perspective introduces contour depth and emphasizes silhouette dynamics. The ornamental elements interact more visibly with facial curvature, creating a stronger sense of dimensional layering.

samira hesami,   Iran, Tehran

Entre el artificio y la verdad. El pasado no ha muerto, solo se viste distinto. Rostro de ceniza, vestido de sangre, y flores que no piden permiso para florecer. ¿Quién decide qué es belleza cuando el tiempo no obedece? Esta imagen es un homenaje a lo barroco, lo andrógino, lo imperfecto. Un retrato que no busca agradar, sino provocar. De La Serie _ La Gravedad de La Luz en Habitar un Lienzo Obra _  La Dama Carmesí Modelo _ @vilma_arte_ Dirección de Arte Maquillaje & Peinado Diseño de Vestuario Fotografía & Edición _ @pablo_moreira_arte Estilo _ Neobarroco / Fotografía conceptual contemporánea Esta obra presenta una figura qué remite a la iconografía pictórica del siglo XVIII, pero reinterpretada desde una óptica contemporánea con carga expresionista. La obra juega con la ambigüedad de género, edad y época, desafiando las narrativas tradicionales del retrato aristocrático. La obra se inscribe en una línea contemporánea de exploración de la identidad, la performatividad del cuerpo y la memoria estética. Su potencia radica en el choque entre el artificio visual y la corporeidad cruda del sujeto retratado. Es una crítica al culto de la belleza normativa y una celebración de lo abyecto como resistencia poética.

Pablo Moreira Escalona,   Cuba, La Habana

Malika Bulanova,   Kazakhstan, almaty

Wild Grapes

Victoria Kos,   Russian Federation, Москва

Aleksey Leshchenko,   Russian Federation, Санкт-Петербург

Aleksey Romanov,   Russian Federation, Санк-Петербург

Pablo Moreira Escalona,   Cuba, La Habana

Gussi

Irina Ishkulova,   Russian Federation, Саратов

Yes AI\\\'m

The development of Artificial Intelligence represents the most important innovation of this century. Cyber thinking has an exciting potential, so much so that it can be applied to every area of human life, but its sudden growth could present us with new challenges. Will ethical and social values really be preserved by this spasmodic technological advancement? What will we be willing to give up to gain control over the most important force that will govern man? In order to discover \\\"the other\\\" it is necessary to learn to know him, to connect with him. Communication is the weapon we possess to be able to understand what is still unknown to us. Being able to dialogue with AI will allow man to discover the difference between those who have a soul and those who do not. The project aims to focus on the ambivalence that Artificial Intelligence can represent. Is it really a tool that can lead to the destruction of the human race? Or is it our true key to salvation? The only certainty is that it was man who created it...

Giandomenico Veneziani,   Italy, Bisceglie

Irina Garsh,   Russian Federation, Киров

Margarita Malkova,   Russian Federation, Saint Petersburg

Geometries

he geometric shapes that the human body can take are many, and with the reflection of the images the shapes change and transform into others. This is the shape of the triangle, the perfect shape of life: past, present, future.

Giorgia Corniola,   Italy, LUGO

Artistic portrait of fashion and glamour with Muglier influences. An ebony beauty adorned with pearls and a futuristic design as a dress.

Pablo Moreira Escalona,   Cuba, La Habana

Rise up

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Goldfish

Ekaterina Sigat,   Russian Federation, Екатеринбург

Принцесса Цирка

Keller Olga,   Russian Federation, Челябинск

В золотых сугробах Осени.

Модель: Светлана Стакина Визажист/фотограф: Ангелина Егорова

Angelina Egorova,   Russian Federation, Владивосток

Irina Ishkulova,   Russian Federation, Саратов

Lana Nikonova,   Russian Federation, Орёл

Маленькая императрица II

Valentina Suvorova,   Russian Federation, Тольятти

Resurrecturis - Rise Again

“Where silence takes shape. A warm light penetrates the cold surface. Lost souls wander aimlessly, waiting for redemption, waiting to move on. Rise up, free yourself, indomitable and tormented soul, restless, in constant search of something. Satisfaction is hidden, the feeble light at the bottom of the dark cave seems very far away. A thousand souls from past lives pass through my chest. They are restless like mine, we share the same cold and isolated abode. We share the same fate of remaining in this limbo forever.” The photographic project \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\"Resurrecturis - Rise again\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\" is a tribute to those who never give up, to those who, amid the difficulties of their lives, fight, get up, and rise again. To second chances, to the desire for discovery and conquest. We are like lost souls wandering the paths of our own lives, constantly searching for something, always unsatisfied. For this reason, particular emphasis is placed on the concept of rebirth, especially in the choice of location: an ancient and charming Tuscan villa, next to a private cemetery. The choice of outfits was important. Thanks to the collaboration with the artist Saverio Maggio, who created his personal creations for the project, it was possible to make the poetry inherent in the photographic story impactful. The clothes, with an ethereal style and light image, are actual works of art. Recycled materials have been used for their construction. With his hands and with his creativity, the stylist makes real transformations, giving new life and a new dimension to what for all eyes are considered simple scraps. From pieces of jewelery donated to the artist, together with scraps of fabric of different value, it is possible to compose harmonious garments like a symphony, which enhance the wearer, giving the whole a surreal image. The study of materials and their processing produce artifacts that can be defined as diamonds of craftsmanship.

Giandomenico Veneziani,   Italy, Bisceglie

Shine

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Луна

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Radionov Roman,   Russian Federation, Севастополь

Ирина Федотова,   United Arab Emirates, Dubai

Angelina Egorova,   Russian Federation, Владивосток

Darya Eraleva,   Russian Federation, Екатеринбург

Shadow and Light

A portrait that plays with the stark contrasts of black and white, emphasizing the duality between shadow and light. The woman, partially hidden and wrapped in an aura of mystery, captures attention with an enigmatic presence. The chiaroscuro highlights every detail, creating a composition that invites the viewer to explore what lies beyond the visible surface.

Giorgia Corniola,   Italy, LUGO

Light. Shadow. Her look.

Александр Тихий,   Russian Federation, Челябинск

A wearable sculpture

The hat does not merely complement the face; it redefines it. The material expands into a sculptural form that frames the face without concealing it. The face remains unadorned, whilst identity is forged in the contrast between rigour and artistic expression.

Giorgia Corniola,   Italy, LUGO

Колтунов,   Russian Federation, Санкт-Петербург

Porcelain Identity III

This portrait explores the intersection between human skin and ornamental surface. The concept was built around the visual language of blue-and-white porcelain patterns, reinterpreted through body art instead of costume or digital overlay. A controlled, high-key lighting setup was used to preserve skin tonality while allowing the cobalt details to remain crisp and dominant within a minimal white environment. The directional light defines facial structure without creating harsh shadows, maintaining clarity and texture consistency across the frame. The composition is intentionally restrained: neutral background, limited color palette (white and deep cobalt blue), and a clean silhouette to emphasize graphic impact. The visual tension comes from the contrast between organic human form and decorative pattern repetition. No excessive post-production manipulation was used; the visual strength relies on styling, body painting precision, and controlled lighting rather than digital effects. A tighter crop intensifies viewer engagement and minimizes spatial distraction. The closer framing amplifies facial structure and strengthens the relationship between anatomical form and graphic detailing.

samira hesami,   Iran, Tehran

In Stark Contrast

Iconic high fashion glamour offset by bold gold and clean lines. Photographer: Stas Efimov @efimov_photography Stylist: Lori Myburgh @stylist_lori.myburgh MUA: Trish Thomas-Meyer @makeuphair_trishtm Model: Shante @shante_gainsford from Ice Models @icemodelscpt Designer: Kat Van Duinen @katvanduinen.official Location: Inyoni Location Farm @inyonilocation Cape Town

Stanislav Efimov,   Russian Federation, Владивосток

Царевна

Maria Fedorenko,   Russian Federation, Санкт-Петербург

«METAMORPHOSIS»

Aleksandr Kazharski,   Belarus, Минск

Angelina Egorova,   Russian Federation, Владивосток

Kora - The Mother World

In a distant galaxy, the Mother World dominates and imposes its power with arrogance and deceit. Everything is crushed and destroyed except hope. Kora, daughter of fire and wind, guilty of a crime she did not commit and betrayed by what she once called \\\"family\\\", is forced to flee. She reaches a new World, initially hostile and distant from her own. She will have to adapt, mastering her warrior instincts, full of revenge and hatred. Little by little she will learn to love, living in harmony with nature. She will find a home, friends and something to fight for, defending what she can finally call \\\"family\\\".

Giandomenico Veneziani,   Italy, Bisceglie

Porcelain Identity II

This portrait explores the intersection between human skin and ornamental surface. The concept was built around the visual language of blue-and-white porcelain patterns, reinterpreted through body art instead of costume or digital overlay. A controlled, high-key lighting setup was used to preserve skin tonality while allowing the cobalt details to remain crisp and dominant within a minimal white environment. The directional light defines facial structure without creating harsh shadows, maintaining clarity and texture consistency across the frame. The composition is intentionally restrained: neutral background, limited color palette (white and deep cobalt blue), and a clean silhouette to emphasize graphic impact. The visual tension comes from the contrast between organic human form and decorative pattern repetition. No excessive post-production manipulation was used; the visual strength relies on styling, body painting precision, and controlled lighting rather than digital effects. In this frame, the slightly adjusted framing enhances pattern continuity across the face and shoulder. The reduced negative space increases visual density and shifts attention toward surface rhythm and ornamental flow.

samira hesami,   Iran, Tehran

YANA KAMENSKAYA,   Russian Federation, Ижевск

Myths about red

In the series of photographs, the woman is not merely an object of contemplation, but an embodiment of strength and influence, capable of governing both mind and emotions. She is a symbol of ritual, which unites and transforms, evoking ancient ceremonies where women played a pivotal role. The dominant red color in the compositions symbolizes passion, power, and energy that she radiates. Each photograph is a dialogue between reason and emotion, where the woman becomes a mediator between them. In her gaze and posture, one can read not only beauty, but also profound wisdom that makes the viewer reflect on the nature of power and influence.

Nataliia Tsygina,   Russian Federation, Москва

Horse fashion

Kristina Murr,   Russian Federation, Москва

A floating gait

Outdoors art fashion

Ruslan Bolgov,   Lithuania, Klaipeda

Александр Тихий,   Russian Federation, Челябинск

Radionov Roman,   Russian Federation, Севастополь

Грация

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Надя

Ekaterina Shulepova,   Russian Federation, Киров

The lady in the hat

Vyacheslav Lukashov,   Russian Federation, Москва

Porcelain Identity I

This portrait explores the intersection between human skin and ornamental surface. The concept was built around the visual language of blue-and-white porcelain patterns, reinterpreted through body art instead of costume or digital overlay. A controlled, high-key lighting setup was used to preserve skin tonality while allowing the cobalt details to remain crisp and dominant within a minimal white environment. The directional light defines facial structure without creating harsh shadows, maintaining clarity and texture consistency across the frame. The composition is intentionally restrained: neutral background, limited color palette (white and deep cobalt blue), and a clean silhouette to emphasize graphic impact. The visual tension comes from the contrast between organic human form and decorative pattern repetition. No excessive post-production manipulation was used; the visual strength relies on styling, body painting precision, and controlled lighting rather than digital effects. The frontal orientation reinforces symmetry and visual stability. Direct eye contact increases structural intensity and strengthens the graphic balance within the centered composition.

samira hesami,   Iran, Tehran

Natalia Pipkina,   Norway, Осло

Rossikhin Konstantin,   Russian Federation, Ростов-на-Дону

In Stark Contrast project. Iconic high fashion glamour offset by bold gold and clean lines. Photographer: Stas Efimov @efimov_photography Stylist: Lori Myburgh @stylist_lori.myburgh MUA: Trish Thomas-Meyer @makeuphair_trishtm Model: Shante @shante_gainsford from Ice Models @icemodelscpt Designer: Kat Van Duinen @katvanduinen.official Location: Inyoni Location Farm @inyonilocation Cape Town

Stanislav Efimov,   Russian Federation, Владивосток

Irina Garsh,   Russian Federation, Киров

NIKITA SKRIPNIK,   Russian Federation, Москва

Shades Lines

Daniel José Casanova Ribalta,   Hungary, Budapest

Witch

Anton Timoshevskii,   Russian Federation, Москва

In Stark Contrast project. Iconic high fashion glamour offset by bold gold and clean lines. Photographer: Stas Efimov @efimov_photography Stylist: Lori Myburgh @stylist_lori.myburgh MUA: Trish Thomas-Meyer @makeuphair_trishtm Model: Shante @shante_gainsford from Ice Models @icemodelscpt Designer: Kat Van Duinen @katvanduinen.official Location: Inyoni Location Farm @inyonilocation Cape Town

Stanislav Efimov,   Russian Federation, Владивосток

Olga Kramer,   Finland, Хельсинки

Oleg Tsarkov,   Russian Federation, Курск

Kristina Murr,   Russian Federation, Москва

gentleman

Vadim Semak,   Russian Federation, Екатеринбург

Elina Garipova,   Russian Federation, Ufa

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Golden hour

Droktata,   Russian Federation, Москва

Who am I?

Vadim Semak,   Russian Federation, Екатеринбург

\"Роса\"

Valentina Suvorova,   Russian Federation, Тольятти

Rezida

Oxana Zavyalova,   Kazakhstan, Алма-Ата

В золотых сугробах осени

Angelina Egorova,   Russian Federation, Владивосток

Radionov Roman,   Russian Federation, Севастополь

Elina Larchenkova,   Russian Federation, Москва

Olga Kramer,   Finland, Хельсинки

flower

Vadim Semak,   Russian Federation, Екатеринбург

Гейша Нана из рода Романовых

модель Нана Татишвили фотограф Ольга Паволга визажист, гафер Юля Сметанина ⠀

Olga Pavolga,   Russian Federation, Москва

Rossikhin Konstantin,   Russian Federation, Ростов-на-Дону

Ignatova Tatyana,   Russian Federation, Санкт-Петербург

Elina Garipova,   Russian Federation, Ufa

Дыхание лавы

Дыхание лавы Золотые паетки - это искорки огня. Золотая органза- жар, дыхание, течение. Сочетание красно-бордового и черного -огонь и пепел. Струящаяся волна -вязкое течение лавы.

Nani,   Russian Federation, Краснодар

Однажды летом...

Grigorova Lyubov,   Russian Federation, Воронеж

Inna Koval,   Luxembourg, Luxembourg

Vladimir Nikitin,   Russian Federation, Москва

Skripnikov Alexandr,   Russian Federation, Уфа

Valentina Suvorova,   Russian Federation, Тольятти

Forest nymph

Model - Anna Kalinina

Rudolf Markaryan,   Russian Federation, Краснодар

Елизавета

manwithcamera75,   Russian Federation, Ярославль

Barmina Anastasiya,   Russian Federation, Екатеринбург

Regal Portraits

ali esfehaniyan,   Iran, tehran

\"Готовь сани летом\" или \"Для спорта всегда есть время\"

Sergey Golubev,   Russian Federation, Санкт-Петербург

Aleksey Romanov,   Russian Federation, Санк-Петербург

Elina Larchenkova,   Russian Federation, Москва

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Branching DIVERSITY

Nataliia Tsygina,   Russian Federation, Москва

Kakuriyo

Kakuriyo (the hidden spirit realm)

Masanori Harada,   Japan, Tokyo

Lesia Ivanova,   Russian Federation, Москва

小钰-手拿扇子的清汉女

摄影师虎,   China, Shanghai

Incognita

Alexandra Vishleva,   Russian Federation, Мытищи

[ysl]

Vladimir V. Edelev,   Spain, Barcelona

Alisa Shchurova,   Russian Federation, Москва

Kristina Dorohova,   Russian Federation, Ростов-на-Дону

Anton Plotnikov,   Russian Federation, Оренбург

Flowers

Mikhail Filippov,   Russian Federation, Москва

Elina Larchenkova,   Russian Federation, Москва

Elina Larchenkova,   Russian Federation, Москва

Mikhail Filippov,   Russian Federation, Москва

Aleksey Romanov,   Russian Federation, Санк-Петербург

Diva

Elena Petrikina,   Russian Federation, Краснодар

Anton Plotnikov,   Russian Federation, Оренбург

Софи

Хотелось показать глянцевый женский портрет с элементами креатива.

Alex Virusyan,   Russian Federation, Липецк

Mytnik Valeriya,   Kazakhstan, Караганда

Eyes & Edges

A study of beauty, contrast, and identity where eyes meet sharp facial edges and mirrored reflections.

ali esfehaniyan,   Iran, tehran

Хрусталь и Красный

фотограф, образ Ольга Паволга модель Варя Рогозина визажист, гафер Юлия Сметанина

Olga Pavolga,   Russian Federation, Москва

Дина

Shakirova-Malinovskaya Evgenia,   Russian Federation, Казань

Victoria Kos,   Russian Federation, Москва

Living a Lie

Appearing is a bit like the need for glory. We are all a bit narcissistic and the virtual world currently represents the ideal stage on which the narcissist can show off by giving the best of himself. Many argue that appearing is probably ultimately the emblem of a status deriving from a lot of loneliness, deep insecurity and lack of self-confidence. Since there is no certainty of one\\\\\\\'s own value, the search for notoriety and consensus begins. The key word becomes \\\\\\\"sharing\\\\\\\". Sharing details of one\\\\\\\'s private life, even if banal and repetitive, to seek constant attention and confirmation, on one\\\\\\\'s beauty and sympathy, but above all on the possibility of being liked and feeling desired and/or envied. One does everything to always be on stage, on the scene, to be and remain protagonists at all costs. The more approvals, likes, comments he receives, the more the individual will feel gratified, flattered, adored and desired. By appearing like or better than others, perhaps we feel less alone, or by believing ourselves to be better, we delude ourselves and build a mask that we truly believe in. By doing so, however, we risk losing a precious value, namely our individuality, just to enhance an image of ourselves and increase media consensus.

Giandomenico Veneziani,   Italy, Bisceglie

Nina Zaytseva,   Russian Federation, Ессентуки

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Qiqi - A Woman of the Han Ethnic Group in the Qing Dynasty

Qiqi wears a popular hairstyle of the Qing Dynasty and an authentic Qing Dynasty costume over 100 years old. In the photo, she has no heavy makeup, with a calm expression, focused eyes, and her hands gently folded on her lap. Her dignified posture and elegance reflect the image of a well-educated young lady from a prominent family in the Qing Dynasty. The stone-blue court-style garment worn by Qiqi dates back to the Qing Dynasty and features exquisite craftsmanship. Its colour scheme uses the popular \"Three-Blue Embroidery\" technique of the Qing Dynasty. Initially used mainly for clothing of noble ladies in the royal court, it later became popular among ordinary people. Producing such a garment required many highly skilled craftsmen to spend several months to complete. In 2023, it was purchased at a high price from an auction house in the United States, brought back to China, and is now in a private collection.

摄影师虎,   China, Shanghai

Elena Gridnevskaya,   Russian Federation, Москва

YAKA

Съемка коллекции зима 2025 для бренда YAKA

Olga Pavolga,   Russian Federation, Москва

The Fall

Lilith is the orgasm of the head. King and Queen of the flesh and mind. The flames of her kingdom ignite passion, exciting the body and thoughts. Man is secretly attracted and in love with her, but he lies shamelessly to himself, convincing himself that his salvation passes only through the reassuring Eve, angel of the family and caring mother of murderous and murdered children. Eve herself picked the Fruit from the tree located in the Garden of Eden and savored its juice. She swallowed with it its seeds that to this day still lie in the blood of each of her descendants. Lilith has hidden her immense power there and only those who are strong enough to govern it make it grow and emerge.

Giandomenico Veneziani,   Italy, Bisceglie

Living a Lie

Appearing is a bit like the need for glory. We are all a bit narcissistic and the virtual world currently represents the ideal stage on which the narcissist can show off by giving the best of himself. Many argue that appearing is probably ultimately the emblem of a status deriving from a lot of loneliness, deep insecurity and lack of self-confidence. Since there is no certainty of one\\\'s own value, the search for notoriety and consensus begins. The key word becomes \\\"sharing\\\". Sharing details of one\\\'s private life, even if banal and repetitive, to seek constant attention and confirmation, on one\\\'s beauty and sympathy, but above all on the possibility of being liked and feeling desired and/or envied. One does everything to always be on stage, on the scene, to be and remain protagonists at all costs. The more approvals, likes, comments he receives, the more the individual will feel gratified, flattered, adored and desired. By appearing like or better than others, perhaps we feel less alone, or by believing ourselves to be better, we delude ourselves and build a mask that we truly believe in. By doing so, however, we risk losing a precious value, namely our individuality, just to enhance an image of ourselves and increase media consensus.

Giandomenico Veneziani,   Italy, Bisceglie

Aleksey Romanov,   Russian Federation, Санк-Петербург

Tatiana Kolotilova,   Russian Federation, Москва

Natalia Pipkina,   Norway, Осло

Cristina Del Barco,   Spain, Madrid

DISTRICT

Rostislav Kravchenko,   Russian Federation, Москва

POUYA SHAKERI,   Iran, Shiraz

Aleksey Romanov,   Russian Federation, Санк-Петербург

Olha Melokhina,   United States, West Sacramento

Jalal Ibrahim,   United Arab Emirates, Dubai

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Штефаньо Сергей,   Russian Federation, туймазы

Barmina Anastasiya,   Russian Federation, Екатеринбург

Гейша Nana с зонтом

модель Нана Татишвили фотограф Ольга Паволга визажист, гафер Юля Сметанина

Olga Pavolga,   Russian Federation, Москва

Anastasia Lebedeva,   Russian Federation, Москва

Amir Behzadi,   United Arab Emirates, Dubai

Glow

Droktata,   Russian Federation, Москва

Модельные тесты для Леси

Pavel Zaykov,   Russian Federation, Нижний Новгород

Elina Larchenkova,   Russian Federation, Москва

Hanna Astapenko,   Belarus, Гомель

ALEKSEY MAKSIMOV,   Russian Federation, Ульяновск

Полина

ALEKSEY MAKSIMOV,   Russian Federation, Ульяновск

Keller Olga,   Russian Federation, Челябинск

Polina Danilova,   United Arab Emirates, Dubai

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Disco

Alexandra Vishleva,   Russian Federation, Мытищи

Kristina Murr,   Russian Federation, Москва

Pudovkina Svetlana,   Russian Federation, Тольятти

Анна Глухова,   Russian Federation, Барнаул

Ernesto Trueba,   Cuba, Santa Clara

Reflection

Droktata,   Russian Federation, Москва

Living a Lie

Appearing is a bit like the need for glory. We are all a bit narcissistic and the virtual world currently represents the ideal stage on which the narcissist can show off by giving the best of himself. Many argue that appearing is probably ultimately the emblem of a status deriving from a lot of loneliness, deep insecurity and lack of self-confidence. Since there is no certainty of one\\\\\\\'s own value, the search for notoriety and consensus begins. The key word becomes \\\\\\\"sharing\\\\\\\". Sharing details of one\\\\\\\'s private life, even if banal and repetitive, to seek constant attention and confirmation, on one\\\\\\\'s beauty and sympathy, but above all on the possibility of being liked and feeling desired and/or envied. One does everything to always be on stage, on the scene, to be and remain protagonists at all costs. The more approvals, likes, comments he receives, the more the individual will feel gratified, flattered, adored and desired. By appearing like or better than others, perhaps we feel less alone, or by believing ourselves to be better, we delude ourselves and build a mask that we truly believe in. By doing so, however, we risk losing a precious value, namely our individuality, just to enhance an image of ourselves and increase media consensus.

Giandomenico Veneziani,   Italy, Bisceglie

alexander forst,   Switzerland, Walchwil

Total RED

Svetlana Videnkina,   Russian Federation, Москва

Anna Blifernets,   Russian Federation, Москва

Vicente Serra,   Spain, Valencia

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Из серии Хрусталь и Красный модель Варя Рогозина фотограф, образ Ольга Паволга визажист, гафер Юлия Сметанина

Olga Pavolga,   Russian Federation, Москва

Elina Larchenkova,   Russian Federation, Москва

Marat Iusipov,   Russian Federation, Москва

Анна Глухова,   Russian Federation, Барнаул

Denim Interiors

This project began as an experiment: the denim fabric, personally selected and stitched by me, was transformed into a “denim sofa,” becoming the main character of the frame. Shot for a campaign, it demonstrates how a familiar material can be reimagined to create visually striking fashion images. Details, textures, bold choices — all aimed at presenting denim in a completely new light.

Anastasiya Golubeva,   Russian Federation, Владивосток

Angelina Egorova,   Russian Federation, Владивосток

Anastasiia Rudnickaya,   Russian Federation, Нижний Новгород

Ivan Kovalev,   Russian Federation, Санкт-Петербург

Elena Gridnevskaya,   Russian Federation, Москва

Braids

Ekaterina Sigat,   Russian Federation, Екатеринбург

小麻-清汉女

摄影师虎,   China, Shanghai

Malika Bulanova,   Kazakhstan, almaty

Celestial Icon

Alex Tsarfin,   Israel, Хайфа

Klimenko Oksana,   Russian Federation, Тольятти

Pavel Varg,   Russian Federation, Москва

Королева Фэшн и Гламура

Angelina Egorova,   Russian Federation, Владивосток

Forest Muse

A cinematic portrait of a woman standing beside an ancient tree in a quiet forest. Soft golden light touches her face while the dark woods behind her create a mysterious and atmospheric mood.

ALi Dolati,   Canada, VANCOUVER

Mikhail Filippov,   Russian Federation, Москва

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Angelina Egorova,   Russian Federation, Владивосток

Алина Нуриахмитова,   Russian Federation, Казань

Aleksey Romanov,   Russian Federation, Санк-Петербург

«Актриса в красном углу »

Фотогероиня на фото плохо себя чувствовала (кружилась голова) ,но решила продолжить съемку . Я считаю она большая умница ! Так сказать сыграла роль, что всё хорошо, даже когда плохо в красном углу - «красный угол» в доме обычно называют -самое красивое место с иконами, здесь - икона стиля в болезни.

Ева Эрн,   Russian Federation, Санкт-Петербург

alexander forst,   Switzerland, Walchwil

Julia Golubkova,   Uzbekistan, Tashkent

Tatya Lushchyk,   Belarus, Минск

Skripnikov Alexandr,   Russian Federation, Уфа

Soft awakening

Anna Makarova,   Russian Federation, Санкт-Петербург

Passion

Yuliia Hryhorenko,   Italy, Siracusa

Inga Dobrynina,   Russian Federation, Санкт-Петербург

lady in red

Aleksandr Kudryavtsev,   Russian Federation, Москва

Julia Leonovich,   Russian Federation, Санкт-Петербург

Мария Логовик,   Russian Federation, Москва

Olga Pavolga,   Russian Federation, Москва

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Autumn

Vicente Serra,   Spain, Valencia

Sight

Stanislav Gan,   Uzbekistan, Ташкент

Vika

Artem Kyshtymov,   Russian Federation, Красноярск

Oleg Sotnik,   Russian Federation, Ростов-на-Дону

Barmina Anastasiya,   Russian Federation, Екатеринбург

Сияние тьмы

Ivan Postnikov,   Russian Federation, Москва

Phan Lap Phu,   Viet Nam, Binh Duong

Ruslan Kondrashin,   Russian Federation, Астрахань

Anastasiia Rudnickaya,   Russian Federation, Нижний Новгород

Pavel Zaykov,   Russian Federation, Нижний Новгород

Victoria Kos,   Russian Federation, Москва

Aleksey Romanov,   Russian Federation, Санк-Петербург

Catch of the Day

? “Mermaid in 2025: scales replaced by plastic, the sea swapped for a pool. And yes, the fish is still in frame.” ✨ Glitter sparkles beautifully, but it’s a reminder: the ocean has long been shining in plastic. Fashion fairytale or survival manual? You decide.

Kseniia Suvorova,   Thailand, Koh Samui

Ника

Valentina Ermilova,   Russian Federation, Волгоград

Victoria

Dmitry Medved,   Russian Federation, Москва

Буклук для местного брэнда

Pavel Zaykov,   Russian Federation, Нижний Новгород

Anton Timoshevskii,   Russian Federation, Москва

Stanislav Huskov,   Spain, Valencia

Natalia Kuzmina,   Russian Federation, г. Санкт-Петербург

alexander forst,   Switzerland, Walchwil

Danial nadimi,   Iran, Isfahan

Душа Бабочки

Angelina Egorova,   Russian Federation, Владивосток

Vadim Semak,   Russian Federation, Екатеринбург

Ekaterina Sigat,   Russian Federation, Екатеринбург

Igor Butckhrikidze,   Russian Federation, Псков

Сберечь

Fine art portrait

Olga Dubina,   Russian Federation, Барнаул

Anton Rostovskiy,   Russian Federation, Москва

Irina Ishkulova,   Russian Federation, Саратов

Юля и белые птицы

Venice Beach — место, где архитектура, тело и свет соединяются в единый ритм. Модель: Юля Коханова

Stanislav Khara,   United States, Сан-Франциско

On the roof

Vyacheslav Lukashov,   Russian Federation, Москва

Tanya Szabo

coastal vibe in a city

Asel Baiganalieva,   United States, Staten Island

Romain lieury,   France, Houdan

Gabriel,   Czech Republic, Prague

carli

Carli on a run

Asel Baiganalieva,   United States, Staten Island

Даурен Кушербаев.,   Kazakhstan, Алматы

The dancer

Nikolai Grishin,   Russian Federation, Королёв

Ivan Ryaskov,   Kazakhstan, Караганда

София

Stanislav Brisach,   Russian Federation, Иркутск

Ivan Kovalev,   Russian Federation, Санкт-Петербург

Klimenko Oksana,   Russian Federation, Тольятти

SAVOSINA NADJA,   Russian Federation, Москва

Valentina Sergeev,   Russian Federation, Пермь

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Barmina Anastasiya,   Russian Federation, Екатеринбург

Anna Yildiz,   Turkey, Antalya

Весна

Denis Klimenko,   Russian Federation, Симферополь

Winter flower

Ekaterina Akhmetova,   Russian Federation, Екатеринбург

Ivan Postnikov,   Russian Federation, Москва

Catch of the Day

? “Mermaid in 2025: scales replaced by plastic, the sea swapped for a pool. And yes, the fish is still in frame.” ✨ Glitter sparkles beautifully, but it’s a reminder: the ocean has long been shining in plastic. Fashion fairytale or survival manual? You decide.

Kseniia Suvorova,   Thailand, Koh Samui

Self Love

নান্টু দাস,   India, Kolkata

Klimenko Oksana,   Russian Federation, Тольятти

Amir Behzadi,   United Arab Emirates, Dubai

Антуанетта в деле!

Yana Trilis,   Russian Federation, Санкт Петербург

Andrey Rogatko,   Russian Federation, Москва

Anna Blifernets,   Russian Federation, Москва

Катя

Ekaterina Shulepova,   Russian Federation, Киров

Angelina Egorova,   Russian Federation, Владивосток

Do it with style

She: @sil.diaz.bustamante Make up: @alejandra.giudice PH: @nicolas_lanfranco

Nicolas Lanfranco,   Argentina, Ciudad Autonoma de Buenos Aires

Vladislav Lebedinskiy,   Russian Federation, Khabarovsk

Irina Garsh,   Russian Federation, Киров

Urban Grace

Asel Baiganalieva,   United States, Staten Island

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Sculptural Presence

The hat does not merely complement the face; it redefines it. The material expands into a sculptural form that frames the face without concealing it. The face remains unadorned, whilst identity is forged in the contrast between rigour and artistic expression.

Giorgia Corniola,   Italy, LUGO

ALEKSEY MAKSIMOV,   Russian Federation, Ульяновск

\"СНЕЖНАЯ КОРОЛЕВА\"

Alex Shishkin,   Russian Federation, Санкт-Петербург

Moretto gianluca,   Italy, Bassano del grappa

Alexey Maskaev,   Russian Federation, Москва

Irina Garsh,   Russian Federation, Киров

Dmitri Bordeniuc,   Moldova, Chisinau

Ophelia takes the city

the series About Woman who is conquiring the world with the Grace

Asel Baiganalieva,   United States, Staten Island

Amir Behzadi,   United Arab Emirates, Dubai

Evgenii Kirillov,   Russian Federation, Санкт-Петербург

Signal Skin

Signal Skin explores the face as a map of invisible inner signals. Crystals arranged like the human nervous system trace what usually remains unseen.

Anton Plotnikov,   Russian Federation, Оренбург

Elena Petrikina,   Russian Federation, Краснодар

Rossikhin Konstantin,   Russian Federation, Ростов-на-Дону

Olga Kramer,   Finland, Хельсинки

Vladislav Lebedinskiy,   Russian Federation, Khabarovsk

A la Russ

Anna Blifernets,   Russian Federation, Москва

Olga Kramer,   Finland, Хельсинки

Stanislav Huskov,   Spain, Valencia

Pavel Pinaev,   Russian Federation, Южно-Сахалинск

小钰

小钰-清汉女

摄影师虎,   China, Shanghai

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

WHITE EDGE

Irina Ishkulova,   Russian Federation, Саратов

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Oksana Goriacheva,   Russian Federation, Санкт-Петербург

Анна Глухова,   Russian Federation, Барнаул

Lana Nikonova,   Russian Federation, Орёл

Amir Behzadi,   United Arab Emirates, Dubai

Minkov Andrey,   Russian Federation, Москва

Droktata,   Russian Federation, Москва

Maria Abramenko,   Russian Federation, Екатеринбург

Anna Di Luna,   Italy, Melito di Napoli

Living a Lie

Appearing is a bit like the need for glory. We are all a bit narcissistic and the virtual world currently represents the ideal stage on which the narcissist can show off by giving the best of himself. Many argue that appearing is probably ultimately the emblem of a status deriving from a lot of loneliness, deep insecurity and lack of self-confidence. Since there is no certainty of one\\\\\\\\\\\\\\\'s own value, the search for notoriety and consensus begins. The key word becomes \\\\\\\\\\\\\\\"sharing\\\\\\\\\\\\\\\". Sharing details of one\\\\\\\\\\\\\\\'s private life, even if banal and repetitive, to seek constant attention and confirmation, on one\\\\\\\\\\\\\\\'s beauty and sympathy, but above all on the possibility of being liked and feeling desired and/or envied. One does everything to always be on stage, on the scene, to be and remain protagonists at all costs. The more approvals, likes, comments he receives, the more the individual will feel gratified, flattered, adored and desired. By appearing like or better than others, perhaps we feel less alone, or by believing ourselves to be better, we delude ourselves and build a mask that we truly believe in. By doing so, however, we risk losing a precious value, namely our individuality, just to enhance an image of ourselves and increase media consensus.

Giandomenico Veneziani,   Italy, Bisceglie

Signal Skin

Signal Skin explores the face as a map of invisible inner signals. Crystals arranged like the human nervous system trace what usually remains unseen.

Anton Plotnikov,   Russian Federation, Оренбург

Toti Badzhakov,   Bulgaria, Yambol

Anna Blifernets,   Russian Federation, Москва

Nguyen Hoang Viet,   Viet Nam, Hochiminh

Klimenko Oksana,   Russian Federation, Тольятти

jaberjahan,   Iran, mashhad

Embrace of Roses

ALi Dolati,   Canada, VANCOUVER

Oksana Goriacheva,   Russian Federation, Санкт-Петербург