Официальная подборка лучших фотографий фотографов из Лондон, Великобритания по итогам международной фотопремии 11th 35AWARDS. На странице представлены фотографии участников разных жанров и направлений.
Каталог 10TH 35AWARDS
Более 1500 лучших работ 10-ой фотопремии, более 1000 авторов
The series presents a mature red deer stag in his natural environment, showing different moments of behaviour and interaction with the surroundings. A recurring motif is the antlers entangled with branches and leaves, resulting from territorial marking and intense contact with vegetation. This visual element becomes a symbol of presence, strength and control over space.
The sequence of images reveals both calm observation and more dynamic expressions, creating a coherent narrative about hierarchy, instinct and the relationship between the animal and its environment. It is a documentary portrait of a dominant male whose behaviour influences the structure and functioning of the herd.
A mature red deer stag stands in the foreground surrounded by hinds, focused and carefully observing the space ahead. His frontal posture and symmetrical antlers create a strong, balanced composition that immediately draws the viewer’s attention. The softly blurred background and presence of the herd provide natural context, emphasizing the male’s role as the central and most alert figure within the group. It is a calm yet meaningful moment that reveals hierarchy and structure within a red deer herd.
“Grace in Velvet”
Bathed in soft, natural light and framed by the gentle blur of a forest backdrop, this portrait captures a young red deer stag in velvet. His antlers, still covered in their fine, fuzzy layer, curve elegantly skyward, while a delicate thread of spider silk drapes between them - an ephemeral connection between wildlife and the unseen intricacies of nature. The deer’s direct gaze, calm yet alert, draws the viewer in, evoking both the majesty and vulnerability of life in the wild.
This series focuses on the hands behind the skyline. The contrast between the rigid geometry of glass and steel and the high-visibility figures: while buildings feel permanent and monumental, the workers appear temporary and almost fragile within the frame. That tension highlights how something that looks so concrete is dependent on vulnerable human effort.
The Days of Live Archaeology in Kernavė festival, held annually since 1999 in the picturesque UNESCO-listed town of Kernavė, is a unique educational event showcasing the historical and cultural heritage of Lithuania and neighboring regions. Attracting around 20,000 visitors each year from across the globe, the festival offers a journey through time with historical reenactments, craft workshops, battle simulations, and performances of ancient music. Especially appealing to families and enthusiasts of Baltic culture, the event fosters interest in history, strengthens intergenerational connections, nurtures patriotism, and promotes a sustainable way of life. The festival is organized under the patronage of the Ministry of Culture of the Republic of Lithuania.
Man opens his umbrella in an empty London train to hide from the photographer. While street photography operates within the freedoms of public space, his gesture reframes the encounter as a quiet negotiation of consent. (The photo is not staged and occurred naturally during a photo walk on London Underground)
Leaned against a doorway, a red-haired woman meets the camera with calm confidence. Sleek black attire contrasts pale skin and freckles, while vivid lipstick anchors the portrait. Soft light sculpts her profile, vintage trunks nearby adding texture, mystery, and quiet narrative tension, suggesting travel, poise, and an intimate moment paused.
– Рейтинг фотографов по странам и городам строится на основе 3-х лучших фотографий автора и их относительной позиции в каждой отдельной номинации. Рейтинг в номинации "Мобильная фотография" учитывается в меньшей степени для формирования рейтинга. В списке по странам и городам показывается одна фотография автора с лучшим рейтингом.
– В списке опубликованы только работы которые прошли 2-й этап голосования.
– В рейтинге лучших фотографий учитывается только одна — самая сильная — работа от каждого автора. Даже если у фотографа опубликовано несколько работ, в расчёте позиции используется только одна, с наивысшим рейтингом. Поэтому порядок фотографий в списке может не совпадать с итоговым положением автора в рейтинге.
– The rating of photographers by countries and cities is based on the three best photos of the author and their relative position in each separate nomination. Rating in the nomination "Mobile Photography" is taken into account to a lesser extent for rating formation. The list by country and city shows one photo of the author with the best rating.
– Only those photos have been published in the list that passed the second stage of voting.
– Only one strongest photo from each author is counted in the Best Photos ranking. Even if a photographer has several published works, only the highest-rated one is used to calculate their ranking position. As a result, the order of photos in the list may not match the author's final ranking position.
