This photo was taken in the summer of 2025 on a traditional Hungarian plain, depicting Tibor, a Hungarian Grey cattle herdsman, as part of a long-term project.
Once thriving in a water-rich valley nearly a thousand years ago, these trees fell victim to a changing climate as sand dunes encroached and the Tsauchab River shifted course. Without water, their roots withered and their trunks died, yet the harsh, arid conditions preserved them in remarkable detail. Today, these acacias — some over 900 years old — stand as a ghostly forest, a snapshot of a world that existed long before us.
This image was taken from a bird\'s-eye view and presents us with a unique, almost abstract sight. On the reddish-brown surface of the water, a flock of birds – presumably waterfowl – moves in a line, following one another in an orderly fashion. Their movement leaves a lighter, foamy streak that creates a dynamic contrast with the darker background. At the center of the composition, a solitary bird is slightly separated from the group, as if guiding them or simply watching its companions.
This conceptual portrait was inspired by the model’s middle name, Raven. The feathers, dramatic styling, and dark aesthetic embody the symbolism of the raven as a creature of mystery, transformation, and resilience. It represents the union of identity and myth, where personal story meets timeless archetype.
A crystalline formation of ice crystals creates a delicate, floral-like pattern across a frozen surface. This ethereal perspective invites the viewer to see the winter landscape not as a barren void, but as a sea of intricate, frozen blossoms. The soft white gradient merging into deep blues evokes a sense of fragile serenity
– Рейтинг фотографов по странам и городам строится на основе 3-х лучших фотографий автора и их относительной позиции в каждой отдельной номинации. Рейтинг в номинации "Мобильная фотография" учитывается в меньшей степени для формирования рейтинга. В списке по странам и городам показывается одна фотография автора с лучшим рейтингом.
– В списке опубликованы только работы которые прошли 2-й этап голосования.
– В рейтинге лучших фотографий учитывается только одна — самая сильная — работа от каждого автора. Даже если у фотографа опубликовано несколько работ, в расчёте позиции используется только одна, с наивысшим рейтингом. Поэтому порядок фотографий в списке может не совпадать с итоговым положением автора в рейтинге.
– The rating of photographers by countries and cities is based on the three best photos of the author and their relative position in each separate nomination. Rating in the nomination "Mobile Photography" is taken into account to a lesser extent for rating formation. The list by country and city shows one photo of the author with the best rating.
– Only those photos have been published in the list that passed the second stage of voting.
– Only one strongest photo from each author is counted in the Best Photos ranking. Even if a photographer has several published works, only the highest-rated one is used to calculate their ranking position. As a result, the order of photos in the list may not match the author's final ranking position.
