id: 4901367
The photograph inspired by an art movement, founded by Kazimir Malevich.
Just as Suprematism focused mainly on basic geometric forms, such as circles, squares, lines, etc, my photographic compositions, which are full of cubist shapes, reflect a personal and simplified form of ‘Malevich’s grammar’. This photograph reveals the dialogue between dimensional forms that are found in the world surrounding us and advanced forms used in the art.
Geometric abstractions, sometimes created as a result of pure coincidence or an unwitting intervention, constitute a specific form of coded information. Arranged in stable, architectonic compositions, these fundamental art forms of abstraction follow Malevich’s vision about the world’s only true reality: that of absolute non–objectivity.
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