A new perspective on Tokyo\\\'s Skytree. It can be seen from the hollow part of an artwork in the city. The red frame adds a touch of elegance. The shooting period was chosen because of the beautiful contrast between red and blue.
In an underground station where trains arrive and depart with mechanical precision, time does not move equally for everyone.
Some bodies dissolve into motion, blurred by urgency and routine, while others remain suspended in moments of private stillness.
Beneath the overpass, the city divides into shadow and light. A single beam traces the curve of the road, guiding a lone cyclist through the quiet geometry of the day. For a moment, the ordinary becomes luminous.
From the damp glow after rain to the deep quiet of night, the trains rest in shifting shades of red. Each moment—sunset, dusk, darkness, and the rain-washed silence—reveals a different pulse beneath the city, a pause where motion sleeps but never fully stops.
In the stillness of the stable, two white horses stand side by side—bound not by reins, but by quiet trust.
Their silence speaks of companionship, of a bond formed without words, where closeness is not shown in motion but in stillness.
In the darkness, they do not vanish; they endure—together.
– Рейтинг фотографов по странам и городам строится на основе 3-х лучших фотографий автора и их относительной позиции в каждой отдельной номинации. Рейтинг в номинации "Мобильная фотография" учитывается в меньшей степени для формирования рейтинга. В списке по странам и городам показывается одна фотография автора с лучшим рейтингом.
– В списке опубликованы только работы которые прошли 2-й этап голосования.
– В рейтинге лучших фотографий учитывается только одна — самая сильная — работа от каждого автора. Даже если у фотографа опубликовано несколько работ, в расчёте позиции используется только одна, с наивысшим рейтингом. Поэтому порядок фотографий в списке может не совпадать с итоговым положением автора в рейтинге.
– The rating of photographers by countries and cities is based on the three best photos of the author and their relative position in each separate nomination. Rating in the nomination "Mobile Photography" is taken into account to a lesser extent for rating formation. The list by country and city shows one photo of the author with the best rating.
– Only those photos have been published in the list that passed the second stage of voting.
– Only one strongest photo from each author is counted in the Best Photos ranking. Even if a photographer has several published works, only the highest-rated one is used to calculate their ranking position. As a result, the order of photos in the list may not match the author's final ranking position.
