Legend . is the name of horse,
In this picture, the horse, as the most intelligent animal, is looking at himself, in fact, it is making an assessment of himself. At the same time, at first glance, you see one horse, while there are two horses. This image makes a person think and go towards an assessment of himself.
This artwork goes beyond mere representation, delving into the realm of visual semiotics—exploring the iconicity and symbolism of the relationship between humans and animals. Through the subtle fusion of a human face and an animal form, it reveals the invisible yet powerful connections between the two worlds. Here, animals are not just companions to humans but reflections of their hidden layers—a mirror of untamed emotions, instincts, and archetypal energies that lie beneath the surface of everyday humanity.
The piece invites introspection and raises questions about our own inner nature. The animal elements serve as an extension of human experience while also acting as a reminder that we carry within us multiple natures—some gentle and familiar, others wild and unpredictable.
Бывают моменты в жизни, когда хочется надеть розовые очки, зделать мир легким, воздушным, необременённым. Вы стремитесь убежать от реальности, окутывая себя приятной розовой дымкой и закрывая глаза на суровую правду.
Uma Obra de Arte!
Visitei este local várias vezes e nunca o vi e senti da mesma maneira. É um local único com uma envolvência singular, este local absorve-nos, ficamos isolados do resto da cidade. As composições fotográficas são inesgotáveis. Esta fotografia é o que eu chamo de Gritos de silêncio que me invadem a alma quando fotografo.
Edifício EDP, foi projectado pelo Arquiteto chileno Alejandro Aravena (vencedor de um premio Pritzker em 2016) em colaboração com o Arquiteto Carrilho da Graça.
Lisboa - Portugal
Иду гладить.Столкновение двух реалий: Романтичного, идеализированного, иллюзорного мира с реальностью, бытом, обязанностями. А так же возрастного восприятия праздника дня святого Валентина, когда на него смотришь немного свысока и иронично:\" дарите валентинки, а я иду гладить\")
Afghan women have been deprived of their simplest rights ,they can't study ,work and go out freely.They have lost the freedom of choosing their dress outside of home. Blue Burqa is the symbol of afghan women prison in Afghanistan.
iran - qom / 10 april 2024
As Muslim women pray Eid al-Fitr towards the Qiblah (the direction of God) at the shrine of Hazrat Masoumeh in Qom, a teenage girl from the crowd turns her head and looks back.
is a photographic project with a cinematic style oriented towards the science fiction genre. Through a succession of images in sequence we want to visually tell the story of our main character who, for some reason, finds himself catapulted to Earth, deserted, inhospitable and hostile. He has a very specific purpose, that is to find a source of lost energy, contained in a casket that centuries earlier had been sent to Earth so that the inhabitants could benefit and use it not only as a source of energy, in fact, but as a source of aggregation and kindness towards others. Unfortunately, humans have not been able to use this energy given to them by another distant world. Our protagonist will therefore necessarily have to find her to go home and save his world. At first he finds himself disoriented, desperate and above all he feels alone. Luckily he manages to find the chest, put on the energy source and finally return home to save his people and who he truly loves.
Undoubtedly, there is a cause and effect relationship in most of the world\'s events. Many things have no meaning on their own, they are separated from each other and it is not even possible to imagine them alone in the world.
A woman without a man and a man without a woman are nothing. It is as if each one is the creator of the other. Like a warp and woof, everything is intertwined. The world is part of us and we are part of the world. In this work, each part gives meaning to another part and tries to depict the role of Adam.
В Мире много женщин, которые столкнулись с диагнозом - онкология. У некоторых из них удалена полностью грудь , они проходят лечение химиотерапией и лишились волос. Они скрывают это от окружающих и только оставшись наедине с собой, они задаются вопросом \" Кто Я?\" ....
In a distant galaxy, the Mother World dominates and imposes its power with arrogance and deceit. Everything is crushed and destroyed except hope. Kora, daughter of fire and wind, guilty of a crime she did not commit and betrayed by what she once called \"family\", is forced to flee. She reaches a new World, initially hostile and distant from her own. She will have to adapt, mastering her warrior instincts, full of revenge and hatred. Little by little she will learn to love, living in harmony with nature. She will find a home, friends and something to fight for, defending what she can finally call \"family\".
This conceptual portrait addresses the limitation of awareness and the suppression of thought in society. A weary and silent individual leans on a red surface, with a book placed atop their head, holding burning and half-melted candles. The book, symbolizing knowledge and awareness, has turned into a burden rather than a source of illumination and growth. The candles, burning and emitting smoke, represent ideas that, instead of spreading, are trapped in silence and decay.
The bold and heavy colors of the image—especially the red surface and yellow clothing—convey a sense of oppression, anxiety, and suppressed energy yearning for release. This conceptual work highlights the societal issue of stifling awareness and preventing the free expression of thought—where minds are silenced and the light of awareness erodes within itself.
The moment of release, the moment of metamorphosis. A fall that does not mark an end, but rather a rebirth. The color that spreads across the surface is not just blood; it is the trace of a change in motion. The past has been shattered, making way for new thought. A chosen death, not to erase a life, but to revive an idea.
This photo shows the fragile emotional space between two adolescents—a brother and sister, or perhaps classmates—whose silent distance speaks louder than words. The boy, lost in thought, gently touches a dry, thorny plant, a symbol of growing pains, unspoken conflicts, and emotional barriers. The girl, with her back turned, embodies detachment, the struggle for independence, or the quiet hurt of miscommunication
Фотографические изображения в жанре сюрреализма в аспекте творчества Ролана Барта. Дипломная работа Кулысова Владимира Владимировича. (Graflex Speed graphic)
A lone bird soars against the backdrop of rhythmic modern architectural curves, symbolizing the contrast between nature and human-made structures. The tiny bird\'s flight embodies freedom amidst order.
She represents an angel in nature, the model is from the outskirts of the interior of the state of Rio de Janeiro, she is 6 years old and the photo was taken with paint, leaves, branches and faith
The photo \"Reminiscenza\" is a mental asylum located in Italy.
In this place, in a muffled and timeless dimension, the memories and sufferings of the people who lived there hover.
The work shows, through its decadence and sense of peace, the pain and ephemeral calm.
Разделение изотопа.
\"Нельзя заходить в спальню к Богу,
Даже если его там нет,
Нельзя заходить в спальню к Богу,
За дверью большой секрет.\" (С) Ундервуд
Фотография была сделана в подземной лаборатории Манфреда фон Арденне при институте ядерной физики. Очень неспроста это сооружение было прорыто под горой, а вход был спроектирован через охраняемое здание. Ядерную программу было необходимо продвигать, а возможные последствия человеческого любопытства всё-таки лучше консервировать понадёжней. В наши дни лаборатория заброшена, многих деталей не хватает, но осталась планировка туннелей, применённые материалы, глубина залегания, а также густая тьма, неохотно раскрывающая подробности и стимулирующая тем самым воображение.
Своей фото-интерпретацией процесса разделения изотопа я предпринимаю попытку воссоздать происходившие здесь события.
Снято на камеру Fujifilm x-s10 в композитной технике, объединяющей кадры с лазерными лучами, фризлайтом \"ядра\", и персонажами. Проявка в Capture One, сшивка кадров и обработка в Photoshop.
This image is part of my project 'Wings over Concrete,' a unique storytelling approach using bird patterns captured through photography. A red-tailed hawk soars with precision, its flight path tracing a perfect arc across the sky. The rolling terrain below serves as a quiet stage for the hawk’s masterful movement, blending power and elegance in its pursuit. This moment captures the hawk’s innate connection to the land, its curved trajectory embodying the balance between predator and prey, earth and sky—a true symbol of nature’s artistry in motion. Captured at the very start of its flight, the red-tailed hawk soars with controlled strength, its wings carving through the open sky with confidence. This moment of takeoff is a powerful reminder of the hawk’s mastery of both land and air.
Whispers of Shadow:
In this image, I sought to capture the delicate yet powerful dance of light and shadow. The title \\\"Whispers of Shadow\\\" is not merely a visual description, but an invitation to listen to the stories that lie hidden within the darkness.
More than just a snapshot, this photograph is an attempt to express emotions that words cannot fully convey. Light gracefully caresses the surfaces, transforming shadows into living entities whispering secrets. Each shadow is a brushstroke on the canvas of imagination, and every point of light, a beacon of hope in the depths of darkness.
\\\"Whispers of Shadow\\\" is an endeavor to find beauty in contrast, and to understand that light and darkness are two sides of the same coin, both essential for a complete understanding of existence.
Series: The stock of silence ( uncomfortable stories)
Racism in times of COVID19
One of the members of a young girls\' group was visibly very nervous. While getting off the bus, she avoided to touch the banisters to steady up herself. Then, out of nowhere, a mouth spat out:\" who does this nigger girl think she is\"
"Благодать Вознесения"
В этом образе я исследую тонкий момент между земным существованием и духовным преображением. Через развевающуюся белую ткань и тянущуюся руку фотография запечатлевает священное пространство между бытием и становлением. Взаимодействие света и тени отражает двойственную природу ухода — завершение, которое несёт в себе обещание нового начала. Подобно тому, как куколка превращается в бабочку, восходящая фигура предполагает, что смерть — это не погружение во тьму, а грациозное преображение к свету.
"The Grace of Ascension"
In this image, I explore the delicate moment between earthly existence and spiritual transformation. Through billowing white fabric and a reaching hand, the photograph captures the sacred space between being and becoming. The interplay of light and shadow reflects the dual nature of departure — an ending that carries the promise of a new beginning. Like a chrysalis transforming into a butterfly, the ascending figure suggests that death is not a descent into darkness, but a graceful transformation toward light.
Могучая сила предков — великая энергия.
В корнях скрыта сила, уверенность и красота. В их поисках мы обратились к славянским традициям.
В наших силах обратить внимание нового поколения на промыслы, показать их многогранность и большой исторический путь, который они прошли. К счастью, есть мастера, которые несут традицию, бережно хранят ее и развивают. Чем больше об этом будет говориться в современном контексте, через взаимодействие с художниками, дизайнерами, иллюстраторами, тем быстрее промыслы станут популярными.
Над проектом работали:
Арт-директор/стилист/продюсер: Маргарита Романова
Фотограф: Наталья Колясникова
Визажист: Катерина Харитонова
Стилист по прическам: Анна Мухаметова
Модель: Елизавета Васильва
Модель: Анастасия
Фотостудия: «АЛИСА»
Платья и аксессуары: «OTIUM» Платья с историей
A murmuration of doves arcs gracefully across the moody sky, their synchronized flight creating a stunning visual rhythm. Against the backdrop of the cityscape, their movement resembles brushstrokes painting the heavens. The contrast between the orderly architecture below and the organic flow above captures a perfect harmony of nature and urban life, a fleeting moment of beauty in the everyday.
"Tan-ha" explores the intricate layers of self-awareness, identity, and inner exploration. The title, drawn from Persian, holds a dual meaning “bodies” and “solitude” evoking both the tangible and the introspective, and setting the tone for a deeply personal exploration. Offering a philosophical inquiry into the boundaries of individual identity, this duality serves as a conceptual foundation for the piece, bridging physical presence and emotional introspection. The central figure in the image, portrayed by myself, takes on the role of a conductor. However, instead of leading an orchestra of musicians, the conductor orchestrates the multiple reflections of the self within a space filled with mirrors.
These mirrors symbolize not only the fragmentation and multiplicity of identity but also act as a map for the inner journey and confrontation with one’s many facets. The piece is entirely performed and staged, emphasizing the deliberate crafting of each visual and emotional element. This work reflects a deeply personal journey, inviting introspection about the essence of individuality, the richness of lived experiences, and the search for balance and peace within the intricate layers of the self.
Расцветание
Это история о человеке, который не был похож на окружающих его людей, из-за чего вызывал у большинства открытую неприязнь. Однако, в его жизни появились те, кто придавал ему уверенности, говорил о его уникальности, красоте и таланте. Эта небольшая часть людей помогла ему расцвести.
Вырезанные слова на фоне - добрые и злые голоса.
Купол - способ изоляции от внешней среды.
Лианы - символ внутреннего цветения.
Мной движут люди.
Теплые потоки стекают по коже, будто смывая воспоминания, оставляя лишь чистый лист для нового дня. Закрыв глаза, она растворяется в этом моменте – в мягкой, обволакивающей белизне, где нет ни времени, ни слов, только ощущение тишины и покоя.
In Iranian culture, “the bowl of patience has overflowed” is a metaphor for the peak of endurance and the threshold of emotional or social eruption. This expression signifies the moment when an individual or a society, after enduring hardships and tolerating adversities for a long time, can no longer bear the pressure and is compelled to react.
Throughout history and society, this concept has been repeatedly observed—whether in personal relationships, social movements, or cultural transformations. “The bowl of patience has overflowed” is not only a symbol of suffering and exhaustion but also, at times, a prelude to change and transformation.
This image is part of my project 'Wings over Concrete,' a unique storytelling approach using bird patterns captured through photography. In a world shaped by steel and glass, a flock of birds rises in perfect rhythm, defying the rigid lines of the towering city. The building, bold and unmoving, stands as a symbol of human ambition, while the birds move as one, carving patterns of freedom in the sky. Each wingbeat tells a story—of instinct, of migration, of a life unchained by walls and windows. In this fleeting moment, nature and architecture collide, a contrast of motion and stillness, reminding us that even in the most structured spaces, the wild remains untamed.
In a distant and mysterious Universe, where horizons are limitless and the sky is painted in thousands of shades of blue, there exists a world called "Bluewood". This world is inhabited by beings with blue blood, endowed with an exquisite sense of style and extraordinary inner strength. But among all the inhabitants of "Bluewood", one girl stood out, her aura attracting attention like a magnet.
She wasn’t just a resident of this Universe — she was an icon. In her world, where every stroke and every detail mattered, the boldest ideas and creative solutions were born. She lived in a space where the boundaries between reality and fantasy blurred, where every movement was art, and every thought challenged the ordinary.
But her story wasn’t about the color of her skin; it was about the inner light that refused to let her follow others. She rejected stereotypes and set new rules for the game. Her life was the embodiment of creativity and courage, her gaze fixed on the future — the place where new trends are born.
In "Bluewood", she was a queen, creating a new reality where beauty was not just about appearance but about the boldness to be herself.
– Рейтинг фотографов по странам и городам строится на основе 3-х лучших фотографий автора и их относительной позиции в каждой отдельной номинации. Рейтинг в номинации "Мобильная фотография" учитывается в меньшей степени для формирования рейтинга. В списке по странам и городам показывается одна фотография автора с лучшим рейтингом.
– В списке опубликованы только работы которые прошли 2-й этап голосования.
– В рейтинге лучших фотографий учитывается только одна — самая сильная — работа от каждого автора. Даже если у фотографа опубликовано несколько работ, в расчёте позиции используется только одна, с наившим рейтингом. Поэтому порядок фотографий в списке может не совпадать с итоговым положением автора в рейтинге.
– The rating of photographers by countries and cities is based on the three best photos of the author and their relative position in each separate nomination. Rating in the nomination "Mobile Photography" is taken into account to a lesser extent for rating formation. The list by country and city shows one photo of the author with the best rating.
– Only those photos have been published in the list that passed the second stage of voting.
– Only one strongest photo from each author is counted in the Best Photos ranking. Even if a photographer has several published works, only the highest-rated one is used to calculate their ranking position. As a result, the order of photos in the list may not match the author's final ranking position.
